King Arthur Pendragon RPG (with David Larkins) Ep.53 (Part 2)

One of the foundational films that shaped the games that we played is Excalibur (1981). In this episode we look back on the film and consider how it can continue to inspire our gaming.

To see some of the issues of Starburst that we refer to in this episode, you’ll find images over at Dirk Malcolm’s World of Film where I have written a couple of pieces about how the magazine covered the film.

Also in this episode, David Larkins, Line Editor of King Arthur Pendragon at Chaosium, talks about Berlin Wicked City, The Esoteric Order of Role-players and much more.

Sam Vail adds Robin of Sherwood to the Appendix G.

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Episode 27 (Part 2) Fate (with Robin of Sherwood actual play)


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We’re continuing our Robin of Sherwood theme. We discuss Fate and use it to provide a sample play in Sherwood Forest created by the TV series.

We hope that it will inspire you to invest in some FUDGE dice and have a go at creating your own worlds.

Episode 27 (Part One) Robin of Sherwood (with Graham Staplehurst)

Robin of Sherwood (with Graham Staplehurst)

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INTRO: In this episode we are continuing our exploration of the context of gaming in the eighties, by looking at one of the TV series that influenced how we played.

POTTED HISTORY: This is a quick summary of how the programme came to be made and a bit of background about Richard Carpenter. If you’d like to know more, I recommend the wonderful, comprehensive books by Andrew Orton 

OPEN BOX: Graham Staplehurst talks about his writing in fanzines, for MERP and his role in bringing Robin of Sherwood to life in RPGs. He mentions Other Minds magazine and the audio dramas available from Spiteful Puppet.

GROGGLEBOX: A new feature. Blythy and Ed join Dirk to do a commentary on The Seven Poor Knights from Acre episode.

OUTRO: A quick update on our latest projects. Also a shout out for The Lost Art of Ray Willner: The Adventures of Robin Hood.

A year on the GROG – 2019

IMG_0149.jpegI’ve been making the plans for 2019 game. Mrs ‘The Dice’ took one look at January and said, “that’s a game twice a week, isn’t it?”

“Well,” I said, “some of them are shorter than others, so don’t really count as full sessions.”

She gave me the eye-brow raised, eye-rolling combo followed by a “oh yeah, I forgot about the ‘short ones’.”

It has been a project four years in the making, but once again, gaming is my everything and I’m saying: “it’s a good thing”

GROGPOD

I’ve scheduled in the programme of podcasts for the next year. We’ve at least 12 months material to keep us going. I was concerned when a long time listener complained that there were too many interviews, but I think it’s talking to others from back in the day that keeps it interesting and draws new listeners to the GROGPOD, so I’m sticking with the format.

We have some great guests lined up too. They’ll be helping us explore our (very) loose theme this year: what were the influences on our gaming back in the day and how can they continue to inspire us?

The long promised episode featuring our musings on Robin of Sherwood is in production and will debut a brand new feature. GROGGLEBOX will be Eddy, me and Blythy talking about Seven Four Knights from Acre (season 1, episode 4). Do your homework before mid-February.

In the meantime, why not vote (classes 8th Jan) for us and the rest of your favourite podcasts in a new poll hosted by EN World.

 

INFORMATION SUPER-HIDE-AWAY

As much as I enjoy putting the podcast together, it’s only a means of finding more games and more players. I have some regular sessions continuing into the new year which is scratching that campaign itch that I’ve not been able to reach with one-shots. This has been thanks to online play, which allows me to disappear in my den for a few hours and be transported to other multiverses, while the rest of the family are waiting for a Hollywood handshake on The Great British Bake-off.

I’m looking forward to continuing the ongoing games as I’m playing with really great people. We’re currently in the dustbowl of Oklahoma in The Two-Headed Serpent for Pulp Cthulhu. All of the chapters are atmospheric, but I really like this one as it has a different mood that some of the others we’ve done. I really hope that we can sustain the momentum to the end of this campaign as every session has been both richly interesting and edge-of-the-seat exciting. There’s more adventure to come, I only hope that the game can continue at the punch and pace we’ve achieved so far.

The HeroQuest Glorantha Coming Storm campaign is getting to an interesting point in the story. Our Red Cow convoy as stopped off to make trade in Jonstown. Although our crew are mocked by the tribe as ‘Generation Cow Jumpers’ due to our disastrous initiation, we’ve chosen our sides and started a black-market of weapons for the Free Sartar movement, and it feels that we are becoming more important and valuable.

The one-shot that couldn’t be contained is continuing for Warhammer 4e. Hopefully you’ll have enjoyed the actual play recording of Lady Magdelena and her rag-tangle entourage as we try to make our way through the Old World. Gaz has offered to keep things going while they’re still interesting as we are loving playing the characters and discovering a game that completely passed us by 30 years ago.

We’ve also got further travels on board USS Thunderchild for Star Trek Adventures. I’m not a trekkie and the 2d20 system seems over-engineered for this ship’s engineer, but its really good fun because the players are great to be with and I’m enjoying playing a Tellerite with Vulcan tendencies.

Can I really squeeze in another regular online game? Turns out that the Wednesday night crew are back for one, last job in the form of D&D 5e Dragon Heist. I’ve decided, the time has come for me to play a monk.

On the 12th/13th April we’ll be hosting virtual GROGMEET (more details very soon) which is a great chance to learn online play and to get the GROGMEET experience if you can’t make it to the live event in November.

WHITES OF THEIR EYES

Online play is great, especially now the technical issues are minimised through practice and improvements in the platform, but it’s a synth-substitute to the real thing. Nothing beats the table.

Our sessions around Eddy’s table in his humble shed is one of the highlights of the month. It’s not the game or the cups of tea, it’s just great catching up with the three of us, doing what we’ve been doing for years. Eddy is enforcing his ‘corrective’ and making sure that we do not stray from ‘the old school’ by running Classic RuneQuest scenario set in Judge’s Guild Duck Tower. I’m looking forward to it as it will be the first time that I’ve been a player character in RQ since we finished playing Borderlands three years ago.

I’d been scheming with Neil Benson about setting up an irregular session in Manchester when Newt Newport announced the re-opening of Go-Play Manchester: a monthly club of one-shot games at Fan Boy Three. I’ve no doubt that having a regular game club on our door-step is going to feature heavily in our gaming experiences in the new year.

We’ll be on the road again too. We are heading for UK Games Expo. I’ve submitted some games to GM. On Friday evening I’m running my ‘The Savage Worlds of Strontium Dog’; Saturday Afternoon is an adapted version of FGU PSI World (I love it. 1980’s nostalgia for the 1950s riddled with teenage angst and nuclear anxiety) and Sunday morning is Lyonesse, The Design Mechanism’s stand-alone game based on Mythras, which won’t be out, but I’ve been promised a preview to share.

We’ll also be attending Convergence, The OwlBear and The Wizards Staff as well as hosting GROGMEET 19.

ZINE SCENE

I’m behind with the layout and preparation of the GROGZINE, so I will be turning my attention to it over the coming weeks. I also have an idea of a side-project that will start to appear in Spring. On the You Tube channel, I’ll be showcasing a scrapbook of zines from the British scene in the 80s. This is Doc Con’s collection that will be archived for the nation.

I have loads more plans and schemes, but I need to put them to one-side while I perfect the manipulation of time and space, before Mrs The Dice’s eyes turn from a roll to a permanent spin. Dirk